Angashuddham refers to the purity, clarity and neatness of Adavus and stance. Bharatanatyam has many dimensions. They include body movements, facial expressions, hand gestures, footwork, costumes, music, repertoire, and themes of performances. Because Bharatanatyam is so well developed, all of these aspects of the art have been codified, and are documented in ancient scriptures as well as recent books. Rukmini Devi has said that the difference between a technical expert and an artistic genius is the ability to master the technique and then forget it. By transcending technique and forgetting oneself, a dancer enters the spirit of the dance and expresses it. Similarly, those of us interested in Bharatanatyam can benefit by knowing a little about the technique and language of the art form. Otherwise, we can be distracted or puzzled by details of technique or appearance, and miss the deeper meaning. When we are accustomed to the mode of expression of Bharatanaytam, then we can see beyond it, and experience what is being expressed in the performance.
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